Complex Weavers Lending Library

Journals and Periodicals

The entries are listed in the following format:

• AUTHOR. TITLE. PUBLISHER, year. SUBJECT. Condition, type

Codes used

hard = hardcover book; paper = paperback book; copy = photocopy, not original; nb = notebook, binder or looseleaf, may include swatches.
Items marked with an asterisk * are available also at http://www.handweaving.net, in the Document Archive section. You can save shipping costs if you download the document from the website rather than borrowing it from the library.

Periodicals

• Ars Textrina Abstracts 16th Annual Conference on Textiles & Costume. 1998.
• Ars Textrina Volume One. Babbage, 1983.
  
  • Rita Adrosko, "The Jacquard and Woven Silk Pictures";
  • Kim Malloy, "Drawloom Special Harness for Double Weave";
  • Peter Collingwood, "Double-Faced 3/1 Broken Twill Woven on Tablets";
  • R. Alan Donaldson, "Obi: The Textile Art of Nishijin";
  • Janet A. Hoskins, "Multi-Layered Cloths: A Structured Approach";
  • M. Kati Meek, "Lithuanian Pervarai: Producing a 20S Pattern on a 12S Loom";
  • Dorothy Miller, "Hanaori: An Okinawan Brocaded Textile";
  • Adele Cahlander, "Understanding Some Complex Structures from Simple Andean Looms: Steps in Analysis & Reproduction";
  • Susan L. Gustafson, "Modification of the AVL Dobby Loom for Execution of Multi-Shaft 2-Tie Block Weaves";
  • Joyce Marquess Carey, "Metamorphosis: Two-Tie Weaves and the Changeable Image";
  • M. M. El-Homossani, "The Original Fabrics of Kaftan";
  • Helen G. Sellin, "Stitching Traditional Coverlet Weaves";
  • A. David Xenakis, "Simple Damask-Like Effects Using Element Diameter Differential & Element Tension Differential"
• Ars Textrina Volume Two. Babbage, 1984.
  • David R. Mooney, "Triaxial Weaves and Weaving: An Exploration for Hand Weavers";
  • Peggy S. Gilfoy, "The Art of Indiana Coverlets";
  • R. G. Stanton, "Some Remarks on the Work of Markham";
  • C. Ulasewicz, C. Anderson and S. Spivak, "Anaylsis & Documentation of Coverlets";
  • Marceline Szpakowski, "Raising the Silkworm in a Northern Climate";
  • Patricia A. Cunningham, "Ohio's Woven Coverlets: Textile Industry in a Rural Economy";
  • G. Ping and A. Newton, "The Application of Computer-Aided Design Techniques to the Creation of Moss Crepe Weaves";
  • Clarita Anderson, "Coverlet Bibliography";
  • R. Stanton and J. Allston, "Comparison of Some Varied Themes"
• Ars Textrina Volume Three. Babbage, 1985.
  • Loris Connolly, "The Work of a Huave Indian Weaver in Oaxaca, Mexico: Complex Weave Structures Utilizing One Warp Set and Two Complementary Weft Sets";
  • Naomi W. Towner, "Self-Stuffing Weft Cord Double Weave";
  • Pat Kinsella, "Artist/Designer: Two Approaches to Fabric";
  • Betty Atwood, "Weft-Warp Openwork Technique";
  • Judith Rush Murtha, "The Application of Computer Generated Weaves as Texture Maps";
  • David R. Mooney, "Handweaving Triaxial Weaves with Braiding Techniques: Triaxial Braiding";
  • Elisha Renne, "Multiple Shaft Coverlet Drafts in the Allen-Stephenson Draft Book";
  • Patricia Hilts, "Seventeenth & Eighteenth Century Twills: The German Linen Tradition";
  • C. Anderson and J. Paoletti, "The Use of Eagles as Decorative & Symbolic Motif in 19th Century American Coverlets";
  • Emily DuBois, "Banares Brocade";
  • M. M. El-Homossani, "Double Harness Techniques Employed in Egypt"
• Ars Textrina Volume Four. Babbage, 1985.
  • R. G. Stanton, "A Few Observations on 'Remains' ";
  • Noemi Speiser, "The Kago-Uchi";
  • Dorothy Miller, "Shifu: A Handwoven Paper Textile of Japan";
  • Imogen Stewart, "English Textiles Referred to by Celia Fiennes";
  • J. Allyston and J. Hoskins, "An Introduction to Two Textilatelists";
  • J. M. Cysarz, "From Fibre to Haute Coutoure on World Postage Stamps";
  • Jack Wilson, "Colour, Texture, Ornament, Line: A Question for Managers";
  • P. Pourdeyhimi, K. Jackson and K. Hepworth, "The Development of Weaving Using Automatic Looms"
• Ars Textrina Volume Thirteen. Babbage, 1990.
  • Patricia Hilts, "The Weavers Art Revealed", Facsimile, Translation & Study of the First Two Published Books on Weaving: Part 1, Marx Ziegler's Weber Kunst und Bild Buch (1677);
• Ars Textrina Volume Fourteen. Babbage, 1990.
  • Patricia Hilts, "The Weavers Art Revealed", Facsimile, Translation & Study of the First Two Published Books on Weaving: Part 2, Nathaniel Lumscher's Neu eingerichtetes Weber Kunst und Bild Buch (1708)
• Ars Textrina Volume Twenty-five. Babbage, 1996. Good, paper
  • Patricia Hilts, An Eighteenth-Century Court Weaver's Pattern Book, Facsimile, Translation & Study of the Nüzliches Weber-Bild-Buch (1740) of Johann Michael Frickinger, Court Weaver at Ansbach
• Ars Textrina Volume Thirty-two. Babbage, 1999. Good, paper
  • Patricia Hilts, "The Weaver's Art in Transition", Facsimile, Translation & Study of the Pattern Books of Michael Krischbaum (1771) and Georg Sennewald (1859)
• Arts of Asia. Vol. 26, No. 3 (June 1996).
• *Bulletin of the Needle and Bobbin Club. Vol. 1 (1916), Vol. 10 (1926) Vol. 36 (1952).
• Ciba Review.
  • * #9 (May 1938), "Dyeing and Tanning in Classical Antiquity" (detached cover)
  • * #10 (June 1938), "Trade Routes and Dye Markets in the Middle Ages"
  • * #11 (July 1938), "The Early History of Silk"
  • #12 (August 1938), "Weaving and Dyeing in Ancient Egypt and Babylon"
  • #13 (September 1938), "Guild Emblems and their Significance"
  • #14 (October 1938), "Cloth-making in Flanders"
  • #15 (November 1938), "Pile Carpets of the Ancient Orient"
  • * #16 (December 1938), "The Loom" (detached cover) (two copies)
  • #17 (January 1939), "Dress Fashions of the Italian Renaissance" (detached cover)
  • #18 (February 1939), "Great Masters of Dyeing in 18th Century France"
  • * #19 (March 1938), "The Exchange"
  • * #20 (April 1939), "The Development of the Textile Crafts in Spain"
  • #21 (May 1939), "Weaving and Dyeing in North Africa"
  • * #22 (June 1939), "Crafts and the Zodiac"
  • #23 (July 1939), "The European Carpet"
  • #24 (August 1939), "The Basle Ribbon Industry"
  • #25 (September 1939), "Paris Fashion Artists of the Eighteenth Century"
  • #28 (December 1939), "The Spinning Wheel" (copy)
  • #33 (May 1940), "Bark Fabrics of the South Seas"
  • #38 (March 1941), "Neckties"
  • #39 (May 1941), "Madder and Turkey Red"
  • #40 (August 1941), "Turkestan and Its Textile Crafts"
  • #41 (October 1941), "The Human Figure in Textile Art"
  • #55 (February 1947), "Swiss Peasant Costumes"
  • #56 (April 1947), "Soap"
  • #57 (June 1947), "Medieval Dress"
  • #58 (July 1947), "Batiks"
  • #59 (August 1947), "The Reel"
  • #60 (September 1947), "Roumanian Peasant Textiles"
  • * # 63 (Jan. 1948), "Basic Textile Techniques"
  • #66 (April 1948), "Peasant Textile Art"
  • #74 (June 1949), "Australia, the Land of Wool"
  • #76 (October 1949), "Early American Textiles"
  • #77 (December 1949), "Flags"
  • #79 (April 1950), "Swiss Linen Embroidery"
  • #80 (June 1950), "Lucchese Silks"
  • #81 (August 1950), "The Early History of Tanning"
  • #82 (October 1950), "Water"
  • #83 (December 1950), "The Silk and Velvet Industries of Crefeld"
  • #84 (February 1951), "Maori Textile Tehniques"
  • #85 (April 1951), "Indigo"
  • #86 (August 1951), "Rubber"
  • #88 (October 1951), "Swedish Peasant Textiles"
  • #89 (December 1951), "The Handkerchief"
  • #90 (February 1952), "Textile Arts of the North American Indians"
  • #91 (April 1952), "The Linen Industry of St. Gall"
  • #92 (June 1952), "Aluminium -- Surface Treatment and Colouring"
  • #93 (August 1952), "Uniforms"
  • #94 (October 1952), "Alaska Sealskins"
  • #95 (December 1952), "Cotton"
  • #96 (February 1953), "Velvet"
  • * 1967/4, "Japanese Resist-Dyeing Techniques"
  • * 1968/1, "The Evolution of Mills and Factories"
• *Ciba-Rundschau 90 (Ciba Review in German), Textile Techniken der Maori.
• Fiberarts. Issues 1978 No. 3, July/August 1978, July/August 1983, September/October 1985, July/August 1986, September/October 1986, May/June 1987, September/October 1989, November/December 1994, January/February 1997, September/October 1999.
• Fibre Focus. Vol. 43, #1 (Spring 2000).
• Handicrafter. Vol. I, No. 4 (1929); Vol. I, No. 6 (May/June 1932); Vol. II, No. 1 (January/February 1930); Vol. III, No. 7 (November/December 1931); Vol. VI, Number II, Part II. Copies.
• *Handweaver & Craftsman. Vols. 1-8 (1949-1957) in 4 bound books. Separate magazines: vol. 1, #1-3; vols 2-22, #1-4; vol. 23, #1-6; vol. 24, #1-4; vol. 26, #1,2,5; vol. 28, #3. Indexes 1950 - 1969. [Note: some, but not all, issues of Handweaver & Craftsman are available online.]
• Handwoven. November/December 1986, May/June 1987, November/December 1989, May/June 1991, May/June 1992, September/October 1992, March/April 1993, March/April 1994, January/February 1997, March/April 1998.
• International Lace Magazine. Vol. 16 (Winter 1990)
• *Kentucky Weaver. Vol. 1 (1948).
• *Loomcraft. Vol. 1 (1956-1959), Vol. 2 (1959-1962), Vol. 3 (1962-1965), Vol. 4 (Issues 1-7, 12 only) (1965-1968), Vol. 5 (Issues 1-3, 5-6, 8-12 of 12 only), Vol. 6 (Issues 1-4, 8-9, 11-12 of 12), Vol. 7 (Issues 1-7 of 12), Vol. 8 (Issues 1-3 of 4), Vol. 9 (Issues 1-3 of 4). Copies. [Note: some but not all issues of Loomcraft are available online.]
• *Loomcraft. Pattern Pamphlets Nos. 1-4, 6. Copies.
• *Looming Arts. Vol. 3 (1968), Nos. 3-4; Vol. 4 (1969), Nos. 1-6; Vol.5 (1970), Nos. 1-6; Vol. 6 (1971), No. 6; Vol. 7 (1972), No. 1; Vol. 15, No. 1; Vol. 16, No. 1; bound together. Copies.
• Loom Music. Volumes I (1947), II (1948), III (1949), IV (1950). XV (1958). Copies.
• Lowell Offering. Issues 1-3 (1840 - 1841). Bound together. Copies.
• Melliand.
  • Vol. 1, No.1 (1929) specimen, Copy.
  • Vol 1, Nos. 1-12; Vol.2, Nos. 1-3, 5-7.
• *National/International Old Lacers Bulletin. 1967-1968 , 1970-1971 , 1971-1972 , 1972-1973 , 1974-1975 , 1975-1976 , 1976-1977 , 1977-1978 , 1978-1979 , 1979-1980 , 1980-1981 , 1981-1982 Vol. 10, No. 4 (Summer 1990); Vol 11, No. 1 (Fall 1990); Vol. 11, No. 2 (Winter 1991); Vol. 11, No. 3 (Spring 1991)
• *Practical Weaving Suggestions. Copies and originals.
  • Vol. VI, No. 1, "Planning Hand Woven Fabric", Howard C. Ford
  • Vol. XXII, "Planned Weaving for the Handweaver's Wardrobe", Måürta Page
  • Vol. XXIV, "The Arithmetic of Weaving"
  • Vol. XXVII, "Two Dresses with Danish Suggestions", Lucy Morgan
  • Vol. XXVIII, "The Profile System of Writing Drafts", Helen L. Allen and Osma Gallinger.
  • Vol. 1-56, "Adaptable Drapery Design", Hariett Tidball
  • Vol. 1-58, "Homespun Yarns", Winogene Redding
  • Vol. 1-59, "Samples of Yarn Weave and Color", Lili Blumenau
  • Vol. 1-60, "Weaving with Wool", Lela Gordon
  • Vol. 1-62, "Double Woven Cloth," Elsie H. Gubser
  • Vol. 1-64, "The Paper Doll Wall-Hanging", Norma R. Johnson
  • Vol. 1-65, "Experimenting with Color," John S. Fishback
  • Vol. 1-68, "Dresses, Shifts and Pull-Overs", Osma Gallinger Tod
  • Vol. 2-1
  • Vol. 2-55, "Cloth Analysis", Rupert Peters
  • Vol. 2-57, "Some Notes on Crackle Weave", Rupert Peters
  • Vol. 2-58, "One Color Upholstery Fabrics", Edna Olsen Healey
  • Vol. 2-59, "Stoles", John S. Fishback
  • Vol. 2-60, "Designs Woven with Super-Sheen," John S. Fishback and Tina McMorran
  • Vol. 2-61, "A Weave for Casement Cloth", Ella S. Bolster
  • Vol. 2-62, "Place Mats in Lace Bronson", Mae D. Aldrich
  • Vol. 2-64, "Textures Inspired by Nature," Mary E. Snyder
  • Vol. 2-65, "Handwoven Aprons," Ruth L. Barrett
  • Vol. 2-67, "Ponchos", Virginia M. West
  • Vol. 3-55, "Heavy Mats for Bath or Bedroom", Heather G. Thorpe
  • Vol. 3-57, "Handwoven Bedspreads", Berta Frey
  • Vol. 3-58, "Café Curtains", Lillian Hunter
  • Vol. 3-60, "Four Harness Sampler," Mrs. Gordon C. MacDonald
  • Vol. 3-61, "Summer Cottons", Geraldine Woods
  • Vol. 3-62, "Chenille Rugs", Virginia M. West
  • Vol. 3-64, "Decorative Fabrics," Elmer W. Hickman
  • Vol. 3-65, "Corduroy - A Pile Weave," Frances A. Morgan
  • Vol. 4-56, "Theme with Variations", Ruth Jelks
  • Vol. 4-58, "Place Mats," Susan R. Sherburne
  • Vol. 4-59, "Traditional Threadings in a Modern Manner for Drapery and Upholstery, " M. Lillian Hunter
  • Vol. 4-60, "Weaving Records," Rupert Peters
  • Vol. 4-61, "Design Your Own Plaids", Muriel F. Barnes
  • Vol. 4-62, "Contemporary Sportswear with Lily Weaving Wools", Elmer W. Hickman
  • Vol. 4-63, "Decorator Fabrics in Honeycomb," Virginia M. West
  • Vol. 4-64, "From Yesterday's Drafts Tomorrow's Heirlooms," John S. Fishback
  • Vol. 4-65, "Twining", Elsie H. Spencer and Joanne S. Orwell
• Prairie Wool Companion. Issues 8-16.
• Quarter Notes. Vol. 1, No. 1 (1984), Vol. 1, No. 3 (1985): bound together. Copy.
• Redigraph (with samples) by Winogene B. Redding
  • Series 1, Nos. 5 & 7
  • Series 2, Nos. 4, 5, & 6
  • Series 3, Nos. 1, 2, & 5 (missing a page)
  • Series 4, Nos. 3 & 6
  • Series 5, No. 4
• Shuttle.
  • Issues from the 1940s bound together: Vol. VIII, No. 1 (March 1940), Vol. VIII, No. 2 (Autumn 1940), Vol. VIII, No. IV (Mid-Winter, 1940-1941), Vol. X, No. 1 (January 1942), Vol. X, No 3 (June 1942), Vol. X, No. 5 (Holiday 1942-1943), Vol. XII, No. 1 (November 1945), Vol. XII, No. 12 (Autumn 1946), Spring 1947, Fall 1947, Fall 1949. Copies.
  • Issues from the 1950s bound together: Spring 1950, Fall 1950, Fall 1951, Fall 1952, Fall 1953, Fall 1955, Spring 1956. Copies.
• *Shuttle-Craft Bulletin.[Note: some, but not all, of the following are available online.]
  • 1929. Issues 52-55, 57-61, and 63 bound together. Copy.
  • 1930, February-June, August-October, December; 1931, January-May, August-September: bound together. Copies.
  • 1946, November
  • 1947, November
  • 1948, March, May, August, September
  • 1950, May, Vol. XXVII, No. 5
  • 1952, Vol. XXIX. Issues 10, 12 and portfolios 10-12 bound together. Copy.
  • 1953, Vol. XXX. Complete. Copy.
  • 1955, Vol XXXII. Complete. Copy.
  • 1957. January, August/September, October, November, December (Volume XXXIV).
  • 1958. March, December (Volume XXXV).
  • 1959. January Portfolio (marked inside as February), February, March, April, October, November, December (Volume XXXVI).
  • 1960. January, March, April, May, June/July (Volume XXXVII).
  • *Shuttle-Craft Bulletin, Portfolio Editions. Vol. XXXI (1954), Nos. 1-6, 8, 10-12: bound together. Copies.
  • *Shuttle Craft Monograph Portfolios. Bound together. Copies
    • 1960, #1, The Double Weave, Plain and Patterned
    • 1961, #2, Surface Interest: Textile of Today
    • 1961, #3, Design and the Handweaver
    • 1961, #4, Woolens and Tweeds
    • 1962, #5, The Weaver's Book of Scottish Tartans
    • 1962, #6, Mexican Motifs
    • 1964, #13, Thomas Jackson, Weaver: 17th and 18th Century Records
    • 1965, #16, Color and Dyeing
    • 1968, #25, Peru: Textiles Unlimited
• Shuttle Service and Craft Creation. Various leaflets bound together; 250 pages. Copy.
• Shuttle, Spindle & Dyepot. Issues 2-4, 15-24, 26-28, 30-35, 37-42, 44, 66, 73, 86-89, 138 - current
• Spinning Wheel Sleuth,The, supplements #3 through #6,
• Textil Forum, Nos. 77 (Jan, 1998) and 85 (Jan. 2000)
• Textile Museum Journal. Vol. II, No. 1 (1966)
  • Rudolf Berliner, "More About the Developing Islamic Style in Tapestries";
  • James W. Rice, "Principles of Textile Conservation Science, No. VI -- The Wonders of Water in Wetcleaning";
  • James W. Rice, "Principles of Textile Conservation Science, No. VII -- Characteristics of Detergents for Cleaning Historic Textiles";
  • Mary Elizabeth King, "A Brief History of the Study of Ancient Peruvian Textiles"
• Textile Museum Journal. Vol. II, No. 4 (1969)
  • E. A. Sellschopp, "General Patterson's Tapestry";
  • Theodore R. Cooley, "A Practical Dyeing Method for the Fabric Conservator";
  • James W. Rice, "How to Match Colors when Dyeing Yarns or Fabrics for Textile Conservation Purposes";
  • James W. Rice, "Principles of Textile Conservation Science, No. XI -- Requirements for Bulk Storage Protection Against Insect Damage";
  • James W. Rice, "Principles of Textile Conservation Science, No. XII -- Adhesives for Textile Conservation";
  • Anthony N. Landreau, "From Mexico to Rumania to Sweden"
• Textile Museum Journal. Vol. III, No. 4 (1973)
  • Walter B. Denny, "Anatolian Rugs: An Essay on Method";
  • Anthony N. Landreau, "Kurdish Kilim Weaving in the Van-Hakkari District of Eastern Turkey";
  • James W. Rice, "Principles of Textile Conservation Science, No.XVII--Solutions and Other Mixtures for Cleaning and Conservation of Textiles and Related Artifacts"
• Textile Museum Journal. Vol.31 (1992).
  • Anne Pollard Rowe, "Provincial Inca Tunics of the South Coast of Peru";
  • Carol Bier, "Elements of Plane Symmetry in Oriental Carpets";
  • Nancy K. Porter, "A Recuay Style Painted Textile";
  • John Guy, "Indian Textiles for the Thai Market -- A Royal Prerogative";
  • Philip Kittley, "Portrait of an Artist--Nyai Tumenggung Mardusari"
• Textile Museum Journal. Vol. 34-35 (1995/1996).
  • Ann Pollard Rowe, "Inca Weaving and Costume";
  • Geneviève Duggan, "Matrilineal Descent Groups and Weavings on the Island of Savu"
  • Stephanie Bunn, "Kyrgyz Shyrdak";
  • Mattiebelle Gittinger, Karen Anderson Chungyampin, and Chanporn Saiyalard, "Textiles and Textile Customs of the Tai Dam, Tai Daeng, and Their Neighbors in Northern Laos"
• Textile Museum Journal. Vols. 42 & 43 (2003-2004)
  • Edward M. Franquemont, "Eureka! Examples of Change in Traditional Andean Textiles from Chinchero.";
  • Mary Frame, "What the Women Were Wearing: A Deposit of Early Nasca Dresses and Shawls from Cahuachi, Peru."
  • Ann Pollard Rowe, "Introduction to Ecuadorian Textile Techniques."
  • Laura M. Miller, "Leaf Fibers in Highland Ecuador."
  • Lynn A. Meisch, "Spinning in Highland Ecuador."
  • Karen E. Stothert, "Shellfish Purple in Coastal Ecuador."
  • Marilee Schmit Nason, "Blouse Making in Mariano Acosta, Ecuador."
  • Ann Pollard Rowe and Breenen Conterón, "Felt Hat Making in Highland Ecuador."
  • Ann Pollard Rowe and Lynn A. Meisch, "Plaited Hat Making in Highland Ecuador, in Others' Words, Panama Hats."
  • Author Index, 1962-2003
• Threads in Action. Vol IV, #1 and #3 combined.
• VÄV Magasinet. With English supplement. No. 3, 1992-No. 4 2002.
• Warp & Weft.
  • Vol. VI (1953), No. 10; Vol VII (1954), Nos. 1-10; Vol. VIII (1955), Nos. 1, 7, 9-10: bound together. Copies.
  • Vol. IX (1956), Nos. 1-7, 9-10; Vol X (1957), Nos. 1-2, 4-8, 10; Vol. XI (1958), Nos. 1, 3-7,10: bound together. Copies.
  • Vol. XII (1959), Nos. 2-6, 8-10; Vol XIII (1960), Nos. 1-8, 10: bound together. Copies.
  • Vol. XIV (1962), Nos. 1-10; Vol XV (1963), Nos. 1-10: bound together. Copies.
  • Vol. XVI (1963), Nos. 1-10; Vol XVII (1964), Nos. 1-2, 4-9: bound together. Copies.
  • Vol. XVIII (1965), Nos. 1-10; Vol XIX (1966), Nos. 2-3, 5-10: bound together. Copies.
  • Vol XXVI, Nos. 1-7; Vol. XXVII, Nos. 1-2 and 4-5. Bound together. Copies.
• Weaver (complete volumes).
  • Vol. 1, No. 1. Copy.
  • Vol. 2, No. 3. Copy.
  • Vol. 3 (1938), Vol. 4 (1939), Vol. 5 (1940), Vol. 6 (1941). Copies.
  • (bound in 2 groups)
    Group 1 Vol. 1, #2-4; Vol. 2, #1-4
    Group 2 Vol. 3, #1-4; Vol. 4 #1-4
• Weaver (single issues). Vol. I, #2-4; Vol. II, #1 and #4; Vol. VII, #1-2.
• *Weaver's. Issues 1-9, 13-44. [Note: a few individual articles from Weaver's are available online.]
• Weaver's Journal. Issues 1- 28, 30, 32, 34-36.
• Weaving and Fiber News. Vol. 5, #3.
• Zielinski. Master Weaver 1-12. Z-Handicrafts, 1951-2. General. Good, paper.
• Zielinski. Master Weaver 13-24. Z-Handicrafts, 1954. General. Good, paper.
• Zielinski. Master Weaver 25-36. Z-Handicrafts, 1956. General. Good, paper.
• Zielinski. Master Weaver 37-48. Z-Handicrafts, 1958. General. Good, paper.
• Zielinski. Master Weaver 49-60. Z-Handicrafts, 1960. General. Good, paper.
• Zielinski. Master Weaver 61-72. Z-Handicrafts, 1962. General. Good, paper.
• Zielinski. Master Weaver 73-84. Z-Handicrafts, 1964. General. Good, paper.
• Zielinski. Master Weaver 85-96. Z-Handicrafts, 1966. General. Good, paper.
• Zielinski. Master Weaver 97-104. Z-Handicrafts, 1968. General. Good, paper.
• Zielinski. Master Weaver 105-112. Z-Handicrafts, 1970. General. Good, paper.
• Zielinski. Master Weaver 113-120. Z-Handicrafts, 1972. General. Good, paper.

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