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Pictures from the Complex Weavers Journal # 82

Click on the thumbnail to see a larger version. Click on the caption to see a reference to the CW Journal.

Gritzmaker
Benson/Gritzmaker page 14
Barbara Nathans
Barbara Nathans page 16
Ladella Williams - Snowflowers
Ladella Wlliams, page 25
Ladella Williams - 3-D Snowflowers
Ladella Williams, page 25
Mansfield - bedford cord
Sue Mansfield, page 26
Ryeburn - plum jacket
Jo Anne Ryeburn, Page 27
Ryeburn - fabric detail
Jo Anne Ryeburn, Page 27
Peck - Deflected Doubleweave
Nancy Peck, Page 28
Peck - DDW Medallions
Nancy Peck, Page 28
Bingham - Anasazi Twill
Gayle Bingham, Page 31
Marg Coe - Simulated Warp Painting
Marg Coe, Page 34
Earl - Random Colors
Jo Earl, Page 35
Gritzmaker - Colors in Damask
Carolyn Gritzmaker, page 52
Gritzmaker - Colors in Damask
Carolyn Gritzmaker, page 52
Hadley - Embroidery Weaves
Georgia Hadley, page 54
Hadley - Embroidery Weaves
Georgia Hadley, page 54


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Source of Figures

Marty Benson's Tejas Connection Issues a Challenge, illustrated with Texas wildflower tags woven by Carolyn Gritzmaker. Page 14.
Barbara Nathans' Four color double weave towels, page 17
Ladella Williams' Snowflowers, page 25
Ladella Williams' Snowflowers in 3-D, page 25
Sue Mansfield's Mediterranean Colors Bedford Cord Vest, page 26
Jo Anne Ryeburn's Plum Blossom Jacket, page 27
Jo Anne Ryeburn's fabric detail, page 27
Nancy Peck's Deflected Double Weave, Draft 2 &Figure, page 28
Nancy Peck's Deflected Double Weave Medallions, Draft 1 & Figure, page 28
Gayle Bingham's Anasazi Twill Weave Samples, Page 31 Marg Coe shows how to doPainting on the Computer - Simulation of Warp Painting, Page 34
Jo Earl is Using Excel to Randomize Colors, Page 38
Carolyn Gritzmaker is doing Experiments with Colors in Damask, Figure 5, Fassett Flower Back, Page 53
Carolyn Gritzmaker is doing Experiments with Colors in Damask, Figure 6, Fassett Flower Front, Page 53
Georgia R Hadley's Jeanetta's Gold: Complexity on 4 Shafts with Embroidery Weaves, Figure 2, Half-Krabba variant embroidery weave, Page 54
Georgia R Hadley's Jeanetta's Gold: Complexity on 4 Shafts with Embroidery Weaves, Figure 3, First Dukagang embroidery weave piece, Page 55


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